ARTICLES

Mun*G’s ‘Dear Pops’: Celebrating Family and UG Hip-Hop’s Greatest Album.

Published

4 months ago

November 26, 2024

Six years later, Mun*G has finally released the visuals for “Dear Pops,” a standout track from the oMUNGiattibwa album. This album undoubtedly cracks the top 10 greatest UG hip-hop albums of all time. If you disagree, let’s link up and debate the 10 greatest albums to ever come from UG hip-hop.

Back to the album—oMUNGiattibwa went on to win the UG Hip-Hop Album of the Year at the MTN UG Hip-Hop Awards (back when we at The Tribe UG were still producing the awards). This win was a testament to the album’s greatness and its resonance with UG hip-hop fans.

“Dear Pops” was one of my personal favorites from the album. It wasn’t just the heartfelt story MunG tells on the track, but also the husky tone of his voice, which adds an emotional weight to the song as he reconnects with his dad. Fun fact: I later learned from a reliable source that MunG recorded the track after a show, when his voice had all but disappeared.

That said, this isn’t a review of Dear Pops. If you’re looking for one, you can find it here. Instead, this is a pitch for how I think the video should have been:

The video embodies family, resilience, spirituality, and the pursuit of success in Ugandan society, showcasing the journey of overcoming pain and challenges to follow one’s dreams. I’d open with a scene of Mun*G writing a letter to his father, updating him on what’s been happening since he passed on. Alternatively, he could be jotting in a diary or drafting lyrics on a writing pad. Next, I’d include shots of him flipping through old family photo albums, featuring those vintage Kodak pictures.

When he says “Nvuze mu motoka,” referencing his career success, I’d showcase clips of him at award shows, performing to sold-out crowds, or posing on billboards. The idea here is to highlight his triumphs despite the struggles. I’d also incorporate footage of his peers, like the Baboon Forest crew, to add more depth.

The video would then close with Mun*G and his young son (remember him from the oMUNGiattibwa album cover?). From there, we’d transition to a final shot of his family, dressed in all white, holding candles—actual family members, not actors. This would symbolize the unity of the family, their resilience through tough times, and a reflection on the successes of each member Mun*G raps about in the song. The video is an embodiment of family, pain/loss, success and how to make it in the Ugandan society against all odds while following your dreams.

Related Topics:Mun*G oMUNGiattibwa UG Hip-Hop Ugandan Hip-Hop Ugandan Music

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ARTICLES

Kohen Jaycee’s ‘Gundeze’: A Soulful Anthem of Love.

Published

2 months ago

January 24, 2025

thetribe

Am I the only one imagining how a mix of Kohen’s “Gundeze” and King Saha’s “Gundeze” would sound in a DJ set? And I’m not saying that just because King Saha’s concert is kicking off as I type this. Maybe it’s just me.

From his critically acclaimed album, RWEBEMBERA: The Raising Echoes, Kohen Jaycee’s “Gundeze” is a vibrant celebration of love wrapped in his signature RnB and Afro-fusion style with a sprinkle of Amapiano’s log drum. The track’s heartfelt lyrics and infectious rhythm make it a soulful anthem for anyone who cherishes the beauty of love. The lyrics are simple yet profound, with Kohen professing unwavering devotion to his partner:“I love you, Gundeze / I feel you, Gundeze / I want you, Gundeze / I need you, Gundeze.”

The music video for Kohen Jaycee’s Gundeze perfectly complements the song’s soulful and romantic essence. Staying true to Kohen’s signature style, the visuals are minimalistic yet captivating, set against the serene backdrop of a lush forest. The video follows Kohen as he alternates between intimate moments with his significant other and heartfelt solo performances amidst nature. This simplicity allows the focus to remain on the song’s message of love and connection, making the video a beautiful extension of the track’s uplifting and heartfelt vibe.

The chorus, repeated like a mantra, draws listeners into a melodic trance, while the verses paint a picture of intimacy, trust, and connection. Kohen’s soothing voice and heartfelt delivery elevate the song into a timeless ode to love. Whether it’s the wish for stars to align or the plea for mutual vulnerability, Kohen’s “Gundeze” resonates with anyone who has experienced the magic of love. The simplicity of the video enhances the song’s essence, focusing entirely on the connection between two souls.

“Gundeze” is more than just a track; it’s a reminder to cherish the ones we hold dear, dance to the rhythm of love, and embrace the beauty of the present moment. Kohen Jaycee has once again proven why he’s a standout artist in Uganda’s music scene, leaving us eagerly anticipating his next move.

ARTICLES

On the Move by Denesi: A Powerful Anthem of Hustle and Ambition

Published

2 months ago

January 24, 2025

thetribe

Denesi’s “On the Move,” the opening track on his debut album Everything Is Real, is an anthem of ambition, resilience, and community, underscored by a gritty hip-hop aesthetic. Produced by Northbound Beats, the track captures the pulse of Kampala’s streets, blending hard-hitting lyrics with a hypnotic beat that mirrors the hustle it portrays.

The accompanying video brings the song’s narrative to life, embracing the classic hip-hop imagery of camaraderie and grind. From the corner store to the stage and finally to the laid-back moments of planning the next move, the visuals reflect Denesi’s journey and the community he’s built. Cameos from collaborators like Lagumtherapper, Akeine, Lucass Blacc, and Manly add depth, showcasing the collective spirit that defines his artistry.

Lyrically, “On the Move” is both a reflection and a manifesto. Denesi paints vivid pictures of Kampala’s dualities: the sunlit streets masking a tougher reality, where survival demands creativity and grit. Lines like “Welcome to the city of the dogs and the criminals / You ain’t making money, you ain’t working, you ain’t real enough” set the tone, balancing raw honesty with undeniable swagger.

The hook, with its repeated refrain of “Who dat on the move, me I’m on the move”, is a declaration of aspiration. It positions Denesi as a trailblazer, reaching for heights beyond the ordinary while staying grounded in his roots. The mention of his collaborators in the hook reinforces the communal ethos of his work, a nod to the people who’ve shaped his journey.

Denesi’s storytelling is sharp and layered. He captures the struggles of navigating Kampala’s streets (“You know Kampala streets, man, the trouble’s never over”) and dreams of transcending them (“When I make a billy, prolly settle down / Maybe buy a villa, buy the whole town”). His versatility shines as he shifts from local struggles to global ambitions, even hinting at cross-border hustles with lines like “I trap on some Lingala shit, they pay me plus the benefits”.

The production complements the lyrical intensity, with Northbound Beats crafting a soundscape that feels both contemporary and rooted. The beat’s steady rhythm mirrors the relentless drive described in the lyrics, while the layered instrumentation adds depth and texture.

Overall, “On the Move” is a powerful introduction to Denesi’s world. It’s a song that celebrates ambition, acknowledges struggle, and underscores the importance of community. With its infectious hook, sharp lyricism, and dynamic visuals, the track sets the stage for what promises to be an impactful debut album. Denesi isn’t just on the move—he’s carving a path to the moon, and he’s taking his people with him.

ARTICLES

Reviving Nostalgia: Akeine and Henry Tigan’s “Out of Control” Remix.

Published

2 months ago

January 24, 2025

thetribe

In this exciting edition of The Tribe UG Press Play, we’re thrilled to present a vibrant collaboration that bridges the gap between nostalgia and innovation. Fast-rising artist Akeine teams up with legendary dancehall star Henry Tigan to breathe new life into Tigan’s 2013 hit song, “Out of Control,” delivering a captivating remix that’s sure to win over fans old and new.

Akeine brings a modern twist to this beloved classic, collaborating with talented producer Andy Muzic to craft a fresh sound that retains the essence of the original. The remix seamlessly blends nostalgia with contemporary vibes, creating a track that resonates with today’s audience while honoring its roots. Henry Tigan’s stellar performance adds depth and familiarity, as he revisits the fan-favorite verse that made the original a standout hit.

This remix isn’t just a song—it’s a celebration of timeless music reimagined for a new generation. The official music video takes the energy to another level, showcasing both artists in their element and bringing the remix to life with vibrant visuals and electrifying performances. Don’t miss this unforgettable collaboration that proves great music transcends time.

The Tribe UG Press Play is more than just a platform; it’s a solution to a long-standing challenge in Uganda’s urban music industry. Despite the abundance of incredible songs, the rap industry has often struggled to release music videos due to logistical and financial constraints. Recognizing this gap, our parent company, Skyline Media & Management Limited, launched The Tribe UG Press Play to empower artists and showcase their work visually.

Through this initiative, we produce high-quality visuals for some of our favorite Ugandan urban songs, helping artists connect with their audiences in new and exciting ways. By supporting the creation of music videos, The Tribe UG Press Play is not only amplifying the voices of talented artists but also enriching the local music scene.

Stay tuned for more groundbreaking collaborations and visual masterpieces as we continue to celebrate the best of Ugandan urban music. Follow The Tribe UG and Skyline Media for updates, and don’t forget to check out the “Out of Control” remix by Akeine and Henry Tigan!