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Dagg Mizzo’s “Through the Valley”: Striking the Perfect Balance Between Faith & Culture.

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Award-winning music producer and rapper, Dagg Mizzo, has established himself as a key figure in the Ugandan hip-hop scene since 2020. After the release of his debut award winning project “Kingdom Come” in May 2018, he has continued to make his presence felt in the industry through producing incredible projects for Ugandan hip-hop acts, mentoring new artists, and collaborating with others. Some of his notable collaborations include our UG Hip-Hop Lockdown collaboration we organized during the lockdown to help cope with COVID, and creating The Tribe UG Podcast theme song.

Fast forward to 2023, Dagg Mizzo released his second body of work, an EP titled “Through the Valley.” In this review, we dive into the project’s creative process, featured collaborations, and the balance it strikes between appealing to a gospel audience and listeners who may not necessarily be churchgoers.

The Creative Process and Motivation

During a chat with Dagg Mizzo, he shared that the motivation for “Through the Valley” came from a period of depression and a longing to create a new project since last year. The conviction and energy finally hit him in January 2023, and he attributed the healing energy and knowledge that inspired the project to God and the people around him.

Initially planned as a four-track EP, the creative process led Dagg Mizzo to expand the project further. As he dug deeper, more ideas emerged, and ultimately, the EP took on its current form.

Collaborations and Featured Artists

The well-placed collaborations on this project contribute significantly to its exceptional quality. “Through the Valley” features a mix of new talents like Atino and seasoned artists such as Navio, with Dagg Mizzo expressing his gratitude for their contributions. “First, I’d like to thank everyone who joined me on this project; they all played their part and executed to perfection, even some at short notice… I’m forever grateful,” says Dagg Mizzo.

He explains that as he creates a beat, he instinctively knows which artists would fit well, so he reaches out to them and hopes for a positive response. The seamless integration of these artists adds a rich diversity of voices and perspectives to the project.

Striking the Perfect Balance

“Designer bag for my girl just for the socials”, Dagg Mizzo raps in his hit track “KA-JA” – a simple yet unexpected line for a gospel artist. Addressing this particular lyric, Mizzo explains, “It is stated in the Bible that a man should take care of his lady as much as he can… sometimes that means even spoiling her a little bit… lol.”

One of the standout aspects of “Through the Valley” is its ability to cater to both a gospel audience and listeners who may not necessarily be churchgoers. Mizzo, a born-again Christian, emphasizes the importance of being authentic and showcasing both the scars and the shine of his life. He believes that taking care of one’s partner, even if it means “spoiling her a little bit,” aligns with biblical teachings.

Rather than consciously striving to strike a balance between churchgoers and those who don’t while creating the EP, Dagg Mizzo let his lyrics and sound, as well as the energy, speak for themselves, with planning coming later. He even had to force himself to stop adding more songs to the project, as his creative drive continues unabated.

The Listening Experience

“Through the Valley” takes listeners on an emotional and spiritual journey, with Dagg Mizzo’s lyrical prowess and soulful beats shining through. The EP offers an introspective look into the artist’s life while delivering a message of hope, faith, and resilience.

Dagg Mizzo’s hopes for listeners of “Through the Valley” include encouraging them to face their demons now and celebrate later, trust God through it all, and have faith. He also advises blocking out the noise, consuming the right information, and being kind, as not everything is as it seems.

Dagg Mizzo’s “Through the Valley” EP is a powerful testament to his growth as an artist and his ability to connect with a wide range of listeners through authentic storytelling and a balanced approach to faith. As a reviewer, I found the EP to be a compelling blend of introspection, inspiration, and raw talent, showcasing Mizzo’s undeniable skills as both a producer and a rapper.

With “Through the Valley,” Dagg Mizzo has solidified his place in the Ugandan hip-hop scene, and as he continues to create and inspire, we eagerly anticipate his future projects. This EP not only highlights Dagg Mizzo’s musical prowess but also demonstrates his ability to connect with listeners from different backgrounds and beliefs. “Through the Valley” serves as a shining example of how artists can remain true to their faith while maintaining authenticity, and it is certainly an EP that will leave a lasting impression on listeners for years to come.

Stream “Through the Valley” here.

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Kohen Jaycee’s ‘Gundeze’: A Soulful Anthem of Love.

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Photo Credit: Next Media/NXT Radio

Am I the only one imagining how a mix of Kohen’s “Gundeze” and King Saha’s “Gundeze” would sound in a DJ set? And I’m not saying that just because King Saha’s concert is kicking off as I type this. Maybe it’s just me.

From his critically acclaimed album, RWEBEMBERA: The Raising Echoes, Kohen Jaycee’s “Gundeze” is a vibrant celebration of love wrapped in his signature RnB and Afro-fusion style with a sprinkle of Amapiano’s log drum. The track’s heartfelt lyrics and infectious rhythm make it a soulful anthem for anyone who cherishes the beauty of love. The lyrics are simple yet profound, with Kohen professing unwavering devotion to his partner:“I love you, Gundeze / I feel you, Gundeze / I want you, Gundeze / I need you, Gundeze.”

The music video for Kohen Jaycee’s Gundeze perfectly complements the song’s soulful and romantic essence. Staying true to Kohen’s signature style, the visuals are minimalistic yet captivating, set against the serene backdrop of a lush forest. The video follows Kohen as he alternates between intimate moments with his significant other and heartfelt solo performances amidst nature. This simplicity allows the focus to remain on the song’s message of love and connection, making the video a beautiful extension of the track’s uplifting and heartfelt vibe.

The chorus, repeated like a mantra, draws listeners into a melodic trance, while the verses paint a picture of intimacy, trust, and connection. Kohen’s soothing voice and heartfelt delivery elevate the song into a timeless ode to love. Whether it’s the wish for stars to align or the plea for mutual vulnerability, Kohen’s “Gundeze” resonates with anyone who has experienced the magic of love. The simplicity of the video enhances the song’s essence, focusing entirely on the connection between two souls.

“Gundeze” is more than just a track; it’s a reminder to cherish the ones we hold dear, dance to the rhythm of love, and embrace the beauty of the present moment. Kohen Jaycee has once again proven why he’s a standout artist in Uganda’s music scene, leaving us eagerly anticipating his next move.

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On the Move by Denesi: A Powerful Anthem of Hustle and Ambition

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Denesi’s “On the Move,” the opening track on his debut album Everything Is Real, is an anthem of ambition, resilience, and community, underscored by a gritty hip-hop aesthetic. Produced by Northbound Beats, the track captures the pulse of Kampala’s streets, blending hard-hitting lyrics with a hypnotic beat that mirrors the hustle it portrays.

The accompanying video brings the song’s narrative to life, embracing the classic hip-hop imagery of camaraderie and grind. From the corner store to the stage and finally to the laid-back moments of planning the next move, the visuals reflect Denesi’s journey and the community he’s built. Cameos from collaborators like Lagumtherapper, Akeine, Lucass Blacc, and Manly add depth, showcasing the collective spirit that defines his artistry.

Lyrically, “On the Move” is both a reflection and a manifesto. Denesi paints vivid pictures of Kampala’s dualities: the sunlit streets masking a tougher reality, where survival demands creativity and grit. Lines like “Welcome to the city of the dogs and the criminals / You ain’t making money, you ain’t working, you ain’t real enough” set the tone, balancing raw honesty with undeniable swagger.

The hook, with its repeated refrain of Who dat on the move, me I’m on the move”, is a declaration of aspiration. It positions Denesi as a trailblazer, reaching for heights beyond the ordinary while staying grounded in his roots. The mention of his collaborators in the hook reinforces the communal ethos of his work, a nod to the people who’ve shaped his journey.

Denesi’s storytelling is sharp and layered. He captures the struggles of navigating Kampala’s streets (“You know Kampala streets, man, the trouble’s never over”) and dreams of transcending them (“When I make a billy, prolly settle down / Maybe buy a villa, buy the whole town”). His versatility shines as he shifts from local struggles to global ambitions, even hinting at cross-border hustles with lines like “I trap on some Lingala shit, they pay me plus the benefits”.

The production complements the lyrical intensity, with Northbound Beats crafting a soundscape that feels both contemporary and rooted. The beat’s steady rhythm mirrors the relentless drive described in the lyrics, while the layered instrumentation adds depth and texture.

Overall, “On the Move” is a powerful introduction to Denesi’s world. It’s a song that celebrates ambition, acknowledges struggle, and underscores the importance of community. With its infectious hook, sharp lyricism, and dynamic visuals, the track sets the stage for what promises to be an impactful debut album. Denesi isn’t just on the move—he’s carving a path to the moon, and he’s taking his people with him.

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Reviving Nostalgia: Akeine and Henry Tigan’s “Out of Control” Remix.

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In this exciting edition of The Tribe UG Press Play, we’re thrilled to present a vibrant collaboration that bridges the gap between nostalgia and innovation. Fast-rising artist Akeine teams up with legendary dancehall star Henry Tigan to breathe new life into Tigan’s 2013 hit song, “Out of Control,” delivering a captivating remix that’s sure to win over fans old and new.

Akeine brings a modern twist to this beloved classic, collaborating with talented producer Andy Muzic to craft a fresh sound that retains the essence of the original. The remix seamlessly blends nostalgia with contemporary vibes, creating a track that resonates with today’s audience while honoring its roots. Henry Tigan’s stellar performance adds depth and familiarity, as he revisits the fan-favorite verse that made the original a standout hit.

This remix isn’t just a song—it’s a celebration of timeless music reimagined for a new generation. The official music video takes the energy to another level, showcasing both artists in their element and bringing the remix to life with vibrant visuals and electrifying performances. Don’t miss this unforgettable collaboration that proves great music transcends time.

The Tribe UG Press Play is more than just a platform; it’s a solution to a long-standing challenge in Uganda’s urban music industry. Despite the abundance of incredible songs, the rap industry has often struggled to release music videos due to logistical and financial constraints. Recognizing this gap, our parent company, Skyline Media & Management Limited, launched The Tribe UG Press Play to empower artists and showcase their work visually.

Through this initiative, we produce high-quality visuals for some of our favorite Ugandan urban songs, helping artists connect with their audiences in new and exciting ways. By supporting the creation of music videos, The Tribe UG Press Play is not only amplifying the voices of talented artists but also enriching the local music scene.

Stay tuned for more groundbreaking collaborations and visual masterpieces as we continue to celebrate the best of Ugandan urban music. Follow The Tribe UG and Skyline Media for updates, and don’t forget to check out the “Out of Control” remix by Akeine and Henry Tigan!

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