ARTICLES

REVIEW: The Tribe UG – MTN Pulse Rap Battle Showcase.

Published

3 years ago

January 5, 2022

“The MTN Pulse Rap Battles event was a well-coordinated sequence of events that presented a new standard for how UG Hip Hop events ought to be fashioned.”

By paulothewriter

Happy New Year, readers! The new “me” attitude may have us forgetting what The Tribe UG and Skyline Media were able to pull off in the middle of a pandemic.

In what is arguably the most well put together UG Hip-Hop event of 2021, the MTN Pulse Rap Battles Showcase was a showcase of studious excellence. The constraints of managing time, service providers and artists are constantly said to be some of the most hectic things to maneuver. Include a pandemic, curfew and a Thursday, and it is you against the odds this event had to overcome.

Skyline Media & Management Limited impressively found a way to make it work and made it work exceptionally. Behind the scenes of hosting an event is a logistical nightmare. I have a clue of what went on and witnessing the end product, I could not be more impressed.

The stage set-up stood out as soon as you walked in through the door. Sal Deejay stood in her booth and masterfully mixed to entertain the audience at home, artists, partners, influencers and service providers – there was no physical audience. The audience saved that transport money and COVID tests by watching online. The show was streamed on YouTube and Facebook.

Embracing live-streaming is another aspect to applaud. The technology hasn’t become as accessible as we would like, and a near flawless attempt is always commendable. We know a TV station that still struggles with live streaming and this event was run on 0.001% of their running budget.

The flashing lights and occasional flames shooting around the stage were a spectacular sight, too! The entire set was artistically designed, and you could tell everything was purposefully placed where it was. The elevated screens at the back of the stage were utilized to advertise the show sponsors. Identifying the brands I am associated with running on the screens gave me a profound sense of accomplishment.

I love UG Hip- Hop, and seeing it represented by a passionate team created a moment where for a second, you forgot all the hurdles we still have to overcome to consistently deliver this to the fans and artists.

Sticking to the script, The Tribe UG provided a platform where the OGs and the “who’s next” were able to interact and share the same stage. Navio, The Mith, Lady Slyke and Babaluku graced the event. Trap’Kid Breezy, The Homie, 1der JR and seasoned rappers like Flex D’paper, TimothyCODE (the Host) all jumped in and entertained fans at home, and present service providers and partners. It was fantastic, you had to be there. We also witnessed Flex D’paper sign-off by telling us the release date (December 10th 2021) for his debut album “Kampala Boy.” The album dropped and it’s been critically acclaimed since.

Appreciating all these artists on stage after many months of banned concerts was a joy. The nostalgia was overwhelming, but seeing what the show runners were able to do presented a modern perspective; we can still entertain fans through their screens as long as what they receive is worth their screen time. From conversations with the artists, there was a deep appreciation for the event and the platform it presented. It was a beacon of hope that our industry still has the energy and the factions to make it grow beyond the stagnation it has been described with.

Trap’Kid and The Homie received plaques that recognized their remarkable talents and to mark the completion of their mentorship by Navio. MTN Uganda in addition received a plaque from The Tribe UG in appreciation for their unrelenting support for UG Hip-Hop.

On balance, this event was timely and well-executed. As they open the outside, let’s retain what was done on this day and set out to make UG Hip-Hop events bigger. The standards we do not set for UG Hip-Hop are part of why it’s often prematurely announced dead. We are capable! Oh! there were drinks and snacks too… what’s a UG event without those!

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ARTICLES

Kohen Jaycee’s ‘Gundeze’: A Soulful Anthem of Love.

Published

2 months ago

January 24, 2025

thetribe

Am I the only one imagining how a mix of Kohen’s “Gundeze” and King Saha’s “Gundeze” would sound in a DJ set? And I’m not saying that just because King Saha’s concert is kicking off as I type this. Maybe it’s just me.

From his critically acclaimed album, RWEBEMBERA: The Raising Echoes, Kohen Jaycee’s “Gundeze” is a vibrant celebration of love wrapped in his signature RnB and Afro-fusion style with a sprinkle of Amapiano’s log drum. The track’s heartfelt lyrics and infectious rhythm make it a soulful anthem for anyone who cherishes the beauty of love. The lyrics are simple yet profound, with Kohen professing unwavering devotion to his partner:“I love you, Gundeze / I feel you, Gundeze / I want you, Gundeze / I need you, Gundeze.”

The music video for Kohen Jaycee’s Gundeze perfectly complements the song’s soulful and romantic essence. Staying true to Kohen’s signature style, the visuals are minimalistic yet captivating, set against the serene backdrop of a lush forest. The video follows Kohen as he alternates between intimate moments with his significant other and heartfelt solo performances amidst nature. This simplicity allows the focus to remain on the song’s message of love and connection, making the video a beautiful extension of the track’s uplifting and heartfelt vibe.

The chorus, repeated like a mantra, draws listeners into a melodic trance, while the verses paint a picture of intimacy, trust, and connection. Kohen’s soothing voice and heartfelt delivery elevate the song into a timeless ode to love. Whether it’s the wish for stars to align or the plea for mutual vulnerability, Kohen’s “Gundeze” resonates with anyone who has experienced the magic of love. The simplicity of the video enhances the song’s essence, focusing entirely on the connection between two souls.

“Gundeze” is more than just a track; it’s a reminder to cherish the ones we hold dear, dance to the rhythm of love, and embrace the beauty of the present moment. Kohen Jaycee has once again proven why he’s a standout artist in Uganda’s music scene, leaving us eagerly anticipating his next move.

ARTICLES

On the Move by Denesi: A Powerful Anthem of Hustle and Ambition

Published

2 months ago

January 24, 2025

thetribe

Denesi’s “On the Move,” the opening track on his debut album Everything Is Real, is an anthem of ambition, resilience, and community, underscored by a gritty hip-hop aesthetic. Produced by Northbound Beats, the track captures the pulse of Kampala’s streets, blending hard-hitting lyrics with a hypnotic beat that mirrors the hustle it portrays.

The accompanying video brings the song’s narrative to life, embracing the classic hip-hop imagery of camaraderie and grind. From the corner store to the stage and finally to the laid-back moments of planning the next move, the visuals reflect Denesi’s journey and the community he’s built. Cameos from collaborators like Lagumtherapper, Akeine, Lucass Blacc, and Manly add depth, showcasing the collective spirit that defines his artistry.

Lyrically, “On the Move” is both a reflection and a manifesto. Denesi paints vivid pictures of Kampala’s dualities: the sunlit streets masking a tougher reality, where survival demands creativity and grit. Lines like “Welcome to the city of the dogs and the criminals / You ain’t making money, you ain’t working, you ain’t real enough” set the tone, balancing raw honesty with undeniable swagger.

The hook, with its repeated refrain of “Who dat on the move, me I’m on the move”, is a declaration of aspiration. It positions Denesi as a trailblazer, reaching for heights beyond the ordinary while staying grounded in his roots. The mention of his collaborators in the hook reinforces the communal ethos of his work, a nod to the people who’ve shaped his journey.

Denesi’s storytelling is sharp and layered. He captures the struggles of navigating Kampala’s streets (“You know Kampala streets, man, the trouble’s never over”) and dreams of transcending them (“When I make a billy, prolly settle down / Maybe buy a villa, buy the whole town”). His versatility shines as he shifts from local struggles to global ambitions, even hinting at cross-border hustles with lines like “I trap on some Lingala shit, they pay me plus the benefits”.

The production complements the lyrical intensity, with Northbound Beats crafting a soundscape that feels both contemporary and rooted. The beat’s steady rhythm mirrors the relentless drive described in the lyrics, while the layered instrumentation adds depth and texture.

Overall, “On the Move” is a powerful introduction to Denesi’s world. It’s a song that celebrates ambition, acknowledges struggle, and underscores the importance of community. With its infectious hook, sharp lyricism, and dynamic visuals, the track sets the stage for what promises to be an impactful debut album. Denesi isn’t just on the move—he’s carving a path to the moon, and he’s taking his people with him.

ARTICLES

Reviving Nostalgia: Akeine and Henry Tigan’s “Out of Control” Remix.

Published

2 months ago

January 24, 2025

thetribe

In this exciting edition of The Tribe UG Press Play, we’re thrilled to present a vibrant collaboration that bridges the gap between nostalgia and innovation. Fast-rising artist Akeine teams up with legendary dancehall star Henry Tigan to breathe new life into Tigan’s 2013 hit song, “Out of Control,” delivering a captivating remix that’s sure to win over fans old and new.

Akeine brings a modern twist to this beloved classic, collaborating with talented producer Andy Muzic to craft a fresh sound that retains the essence of the original. The remix seamlessly blends nostalgia with contemporary vibes, creating a track that resonates with today’s audience while honoring its roots. Henry Tigan’s stellar performance adds depth and familiarity, as he revisits the fan-favorite verse that made the original a standout hit.

This remix isn’t just a song—it’s a celebration of timeless music reimagined for a new generation. The official music video takes the energy to another level, showcasing both artists in their element and bringing the remix to life with vibrant visuals and electrifying performances. Don’t miss this unforgettable collaboration that proves great music transcends time.

The Tribe UG Press Play is more than just a platform; it’s a solution to a long-standing challenge in Uganda’s urban music industry. Despite the abundance of incredible songs, the rap industry has often struggled to release music videos due to logistical and financial constraints. Recognizing this gap, our parent company, Skyline Media & Management Limited, launched The Tribe UG Press Play to empower artists and showcase their work visually.

Through this initiative, we produce high-quality visuals for some of our favorite Ugandan urban songs, helping artists connect with their audiences in new and exciting ways. By supporting the creation of music videos, The Tribe UG Press Play is not only amplifying the voices of talented artists but also enriching the local music scene.

Stay tuned for more groundbreaking collaborations and visual masterpieces as we continue to celebrate the best of Ugandan urban music. Follow The Tribe UG and Skyline Media for updates, and don’t forget to check out the “Out of Control” remix by Akeine and Henry Tigan!