ARTICLES

ALBUM REVIEW: Strength in Numbers – Navio

Published

5 years ago

May 6, 2020

What do you do when you’ve done it all? When your talent and ability aren’t in question, when you have no one to compete against but the former versions of yourself. Imagine knowing that most people are trying their best to sprint up Naguru hill, racing to the top, hoping to get there fast, and yet you’ve climbed both Mount Rwenzori and The Kilimanjaro! It’s a whole different game, it’s a whole different battle. I can’t put myself in his shoes, but these are the exact thoughts that came to my mind as I played By Gones ft. Seyi Shay & Sheila Wya, the first track on Navio’s new Strength In Numbers album. That introduction was his invitation for us to join him at the top of the mountain and enjoy the view.

Hip Hop is not a genre that everyone can easily appreciate. There’s a lot that goes into making it go beyond the niche fan-base. One of these things is a great hook. If Navio was a rap super-hero, this would be one of his greatest super powers! No Doubt! With or without a feature, Navio is able to adjust and deliver the kind of hook that is necessary to catch your ear and draw your full attention. He did not hold back on this album. He delivers a variety of dope hooks; Hooks you can sing along to, hooks for you to couple-up and dance to, hooks for friends to vibe to, hooks for the lovers, hooks for the party, hooks in a couple of different languages…. There are no mistakes! Every hook has its purpose, it’s quite Klear, whether you’re listening to this album as a Hip Hop fan, a fan of music, or just a Navio fan. The hooks on this project elevate the listening experience.

This project isn’t what it is because of Navio alone. I mean, we all know Nav’s gonna Nav, but he didn’t just stop at that. We were treated to a number of collaborations that help take the album to the next level. He started off with the fire emoji intro featuring Seyi Shay and Sheila Wya, next he was trading super flows with Kenya’s Kaligraph Jones on Trophy Season. We got to hear soothing vibes on Nkwagala Omu with King Saha. We even had a surprise hook from producer extraordinaire Samurae on Lord There They Go. Vanessa Mdee, Joh Makini, Daddy Andre, Laylizzy, Ice Prince, The Mith And Burna Boy! The album is stacked with features! But just enough! Everything in the right dose, the right amount.

If you’ve listened to the album, you obviously know that I left out Flex D’Paper. The young rapper features twice on Strength In Numbers. Flex delivers a proper hip hop hook on the heavy hitting Abaana Beeka which also features Joh Makini. But he also shows a different side on the Bangi hook, perfectly complementing the singing from both Navio and Daddy Andre. These are arguably two of the biggest songs on the album, which is why Flex’s contribution needed a special mention.

Navio has always been one of Uganda’s and even Africa’s most complete rappers. His music remains relevant in so many aspects of the genre. Whether you’re looking for penmanship, flow, delivery… whatever the category, he fits into it. This versatility plays a role in the album experience. It’s easy to listen to it from start to finish. Fifteen songs in which he manages to give the listener a variety, one that works well together without sounding like it’s all over the place. The album meets all ends of the spectrum ranging from trappy vibes on Flank and Numbers, to the different afrobeat vibes on Kyekyo and the Gbesile remix.

Though it might not have some of his more iconic and timeless songs, I’m going to go ahead and say it’s the best listening experience I’ve had with ANY Navio album. And this is after how many years in the game? This is a solid album! Respect to Navio for having been in the game this long, and continuing to have the work ethic of a new comer that’s trying to make his way to the top. Listening to Strength in Numbers was worth every minute. The view at the top of this mountain did not disappoint!

You can order yourself a copy of the album via the SafeBoda app or stream the album online across all digital stores!

-BY JEREMY

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ARTICLES

Kohen Jaycee’s ‘Gundeze’: A Soulful Anthem of Love.

Published

2 months ago

January 24, 2025

thetribe

Am I the only one imagining how a mix of Kohen’s “Gundeze” and King Saha’s “Gundeze” would sound in a DJ set? And I’m not saying that just because King Saha’s concert is kicking off as I type this. Maybe it’s just me.

From his critically acclaimed album, RWEBEMBERA: The Raising Echoes, Kohen Jaycee’s “Gundeze” is a vibrant celebration of love wrapped in his signature RnB and Afro-fusion style with a sprinkle of Amapiano’s log drum. The track’s heartfelt lyrics and infectious rhythm make it a soulful anthem for anyone who cherishes the beauty of love. The lyrics are simple yet profound, with Kohen professing unwavering devotion to his partner:“I love you, Gundeze / I feel you, Gundeze / I want you, Gundeze / I need you, Gundeze.”

The music video for Kohen Jaycee’s Gundeze perfectly complements the song’s soulful and romantic essence. Staying true to Kohen’s signature style, the visuals are minimalistic yet captivating, set against the serene backdrop of a lush forest. The video follows Kohen as he alternates between intimate moments with his significant other and heartfelt solo performances amidst nature. This simplicity allows the focus to remain on the song’s message of love and connection, making the video a beautiful extension of the track’s uplifting and heartfelt vibe.

The chorus, repeated like a mantra, draws listeners into a melodic trance, while the verses paint a picture of intimacy, trust, and connection. Kohen’s soothing voice and heartfelt delivery elevate the song into a timeless ode to love. Whether it’s the wish for stars to align or the plea for mutual vulnerability, Kohen’s “Gundeze” resonates with anyone who has experienced the magic of love. The simplicity of the video enhances the song’s essence, focusing entirely on the connection between two souls.

“Gundeze” is more than just a track; it’s a reminder to cherish the ones we hold dear, dance to the rhythm of love, and embrace the beauty of the present moment. Kohen Jaycee has once again proven why he’s a standout artist in Uganda’s music scene, leaving us eagerly anticipating his next move.

ARTICLES

On the Move by Denesi: A Powerful Anthem of Hustle and Ambition

Published

2 months ago

January 24, 2025

thetribe

Denesi’s “On the Move,” the opening track on his debut album Everything Is Real, is an anthem of ambition, resilience, and community, underscored by a gritty hip-hop aesthetic. Produced by Northbound Beats, the track captures the pulse of Kampala’s streets, blending hard-hitting lyrics with a hypnotic beat that mirrors the hustle it portrays.

The accompanying video brings the song’s narrative to life, embracing the classic hip-hop imagery of camaraderie and grind. From the corner store to the stage and finally to the laid-back moments of planning the next move, the visuals reflect Denesi’s journey and the community he’s built. Cameos from collaborators like Lagumtherapper, Akeine, Lucass Blacc, and Manly add depth, showcasing the collective spirit that defines his artistry.

Lyrically, “On the Move” is both a reflection and a manifesto. Denesi paints vivid pictures of Kampala’s dualities: the sunlit streets masking a tougher reality, where survival demands creativity and grit. Lines like “Welcome to the city of the dogs and the criminals / You ain’t making money, you ain’t working, you ain’t real enough” set the tone, balancing raw honesty with undeniable swagger.

The hook, with its repeated refrain of “Who dat on the move, me I’m on the move”, is a declaration of aspiration. It positions Denesi as a trailblazer, reaching for heights beyond the ordinary while staying grounded in his roots. The mention of his collaborators in the hook reinforces the communal ethos of his work, a nod to the people who’ve shaped his journey.

Denesi’s storytelling is sharp and layered. He captures the struggles of navigating Kampala’s streets (“You know Kampala streets, man, the trouble’s never over”) and dreams of transcending them (“When I make a billy, prolly settle down / Maybe buy a villa, buy the whole town”). His versatility shines as he shifts from local struggles to global ambitions, even hinting at cross-border hustles with lines like “I trap on some Lingala shit, they pay me plus the benefits”.

The production complements the lyrical intensity, with Northbound Beats crafting a soundscape that feels both contemporary and rooted. The beat’s steady rhythm mirrors the relentless drive described in the lyrics, while the layered instrumentation adds depth and texture.

Overall, “On the Move” is a powerful introduction to Denesi’s world. It’s a song that celebrates ambition, acknowledges struggle, and underscores the importance of community. With its infectious hook, sharp lyricism, and dynamic visuals, the track sets the stage for what promises to be an impactful debut album. Denesi isn’t just on the move—he’s carving a path to the moon, and he’s taking his people with him.

ARTICLES

Reviving Nostalgia: Akeine and Henry Tigan’s “Out of Control” Remix.

Published

2 months ago

January 24, 2025

thetribe

In this exciting edition of The Tribe UG Press Play, we’re thrilled to present a vibrant collaboration that bridges the gap between nostalgia and innovation. Fast-rising artist Akeine teams up with legendary dancehall star Henry Tigan to breathe new life into Tigan’s 2013 hit song, “Out of Control,” delivering a captivating remix that’s sure to win over fans old and new.

Akeine brings a modern twist to this beloved classic, collaborating with talented producer Andy Muzic to craft a fresh sound that retains the essence of the original. The remix seamlessly blends nostalgia with contemporary vibes, creating a track that resonates with today’s audience while honoring its roots. Henry Tigan’s stellar performance adds depth and familiarity, as he revisits the fan-favorite verse that made the original a standout hit.

This remix isn’t just a song—it’s a celebration of timeless music reimagined for a new generation. The official music video takes the energy to another level, showcasing both artists in their element and bringing the remix to life with vibrant visuals and electrifying performances. Don’t miss this unforgettable collaboration that proves great music transcends time.

The Tribe UG Press Play is more than just a platform; it’s a solution to a long-standing challenge in Uganda’s urban music industry. Despite the abundance of incredible songs, the rap industry has often struggled to release music videos due to logistical and financial constraints. Recognizing this gap, our parent company, Skyline Media & Management Limited, launched The Tribe UG Press Play to empower artists and showcase their work visually.

Through this initiative, we produce high-quality visuals for some of our favorite Ugandan urban songs, helping artists connect with their audiences in new and exciting ways. By supporting the creation of music videos, The Tribe UG Press Play is not only amplifying the voices of talented artists but also enriching the local music scene.

Stay tuned for more groundbreaking collaborations and visual masterpieces as we continue to celebrate the best of Ugandan urban music. Follow The Tribe UG and Skyline Media for updates, and don’t forget to check out the “Out of Control” remix by Akeine and Henry Tigan!