ARTICLES

INTERVIEW: Baru Talks Drugs The EP & Growth As A Creator.

Published

6 years ago

March 25, 2019

Award winning producer Baru is one creator who has consistently given us bodies of work on top of producing chart topping singles and he isn’t about to slow down. As we wind up the first quarter of the year 2019, Baru has given us a new EP titled Drugs (you can purchase it here). The project features acts like Isaiah Misanvu, Haka Mukiga, Delboy, Precious And Aux who bring something different to make this body of work amazing and one that stands out of the Baru catalog. We linked up with the Dustville in house producer and had a brief chat about the project.

What’s #Drugs? The meaning behind the title?

I used drugs as a synonym of sorts to represent the things we tend to get attached to unknowingly which in the long run become difficult to shake, to a point your convinced you can’t do without them. You know these things are not good for you but you tend to be strongly drawn to them. We all have different drugs we get hooked on. Be it real drugs, love, people, behaviors, actions etc. So the music on drugs is me expressing my own version of drugs. Its like a love and other drug situation. During the past year I got myself involved in a bunch of toxic relationships and behaviors which were not doing me any good and it took me major decisions to snap out of it. I tried to turn the whole bad situation into good by using these situations as fuel to make the music on drugs. The EP also signifies my break away, moving forward and growth. But then again I hope whoever encounters the music interprets it and applies it in their own way because it’s diverse, broad and can relay different messages depending on the interpretation.

Aren’t you worried (for lack of a better word) that the UG music consumers are going to pass on the EP without listening to it cause of the title given that most of them are conservative?

Am not that kind of people who lets my fears get in the way of my creativity. I always tend to put the art first. I also try to work out of that box of being conservative and not within it otherwise I wouldn’t change anything. Besides I think there is a bunch of people who will be interested in hearing what this is about just because it’s titled drugs. Plus my target demographic is Uganda and beyond I never want to limit myself.

We thought we would get more “The New Wave” projects before an independent Baru project, what caused the change in plans?

The plan hasn’t changed. I have made and still make a lot of music with Delboy and it’s going to come out. Just that as much I make music with Delboy, I also make a lot of music for myself. Sometimes I have something I would like to express and I need a larger pallet which requires me to work with a variety of artists to bring it out.

Let’s Talk About The music, What’s new on this project? How’s it different from the past Baru projects?

There is a lot of growth on this EP. You will understand what am saying when you listen to the project. It’s my best work at the moment. I just hope it gets to touch more people and change somethings.

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Where does this project fit in the world of Baru the producer and creator? What should be the takeaway for the listener on this project?

This is me pushing the bar a notch higher and giving Ugandan music a good look. It’s also another body of work added to my catalog as I push for more as always. As for the listeners I hope it helps whoever comes in contact with it in real life situations. This is my way of giving back with this gift I was given.

As usual, your projects introduces listeners to new acts and we already see names that casual Ugandan music listeners wouldn’t know. How was the process of creating and working with them?

I made the music on the EP in a space of two week. I already had an idea of the people I wanted to work with so I would call in the artist, talk to them let em know where my head was at and what I wanted to say with each song. I would have them write on the spot and record that same day. It was crazy and interesting at the same time as all of them delivered. I had set out to make five songs and all of them made it to the project.

Related Topics:Baru Drugs EP UG Hip-Hop UG Hip-Hop Producer

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Kohen Jaycee’s ‘Gundeze’: A Soulful Anthem of Love.

Published

2 months ago

January 24, 2025

thetribe

Am I the only one imagining how a mix of Kohen’s “Gundeze” and King Saha’s “Gundeze” would sound in a DJ set? And I’m not saying that just because King Saha’s concert is kicking off as I type this. Maybe it’s just me.

From his critically acclaimed album, RWEBEMBERA: The Raising Echoes, Kohen Jaycee’s “Gundeze” is a vibrant celebration of love wrapped in his signature RnB and Afro-fusion style with a sprinkle of Amapiano’s log drum. The track’s heartfelt lyrics and infectious rhythm make it a soulful anthem for anyone who cherishes the beauty of love. The lyrics are simple yet profound, with Kohen professing unwavering devotion to his partner:“I love you, Gundeze / I feel you, Gundeze / I want you, Gundeze / I need you, Gundeze.”

The music video for Kohen Jaycee’s Gundeze perfectly complements the song’s soulful and romantic essence. Staying true to Kohen’s signature style, the visuals are minimalistic yet captivating, set against the serene backdrop of a lush forest. The video follows Kohen as he alternates between intimate moments with his significant other and heartfelt solo performances amidst nature. This simplicity allows the focus to remain on the song’s message of love and connection, making the video a beautiful extension of the track’s uplifting and heartfelt vibe.

The chorus, repeated like a mantra, draws listeners into a melodic trance, while the verses paint a picture of intimacy, trust, and connection. Kohen’s soothing voice and heartfelt delivery elevate the song into a timeless ode to love. Whether it’s the wish for stars to align or the plea for mutual vulnerability, Kohen’s “Gundeze” resonates with anyone who has experienced the magic of love. The simplicity of the video enhances the song’s essence, focusing entirely on the connection between two souls.

“Gundeze” is more than just a track; it’s a reminder to cherish the ones we hold dear, dance to the rhythm of love, and embrace the beauty of the present moment. Kohen Jaycee has once again proven why he’s a standout artist in Uganda’s music scene, leaving us eagerly anticipating his next move.

ARTICLES

On the Move by Denesi: A Powerful Anthem of Hustle and Ambition

Published

2 months ago

January 24, 2025

thetribe

Denesi’s “On the Move,” the opening track on his debut album Everything Is Real, is an anthem of ambition, resilience, and community, underscored by a gritty hip-hop aesthetic. Produced by Northbound Beats, the track captures the pulse of Kampala’s streets, blending hard-hitting lyrics with a hypnotic beat that mirrors the hustle it portrays.

The accompanying video brings the song’s narrative to life, embracing the classic hip-hop imagery of camaraderie and grind. From the corner store to the stage and finally to the laid-back moments of planning the next move, the visuals reflect Denesi’s journey and the community he’s built. Cameos from collaborators like Lagumtherapper, Akeine, Lucass Blacc, and Manly add depth, showcasing the collective spirit that defines his artistry.

Lyrically, “On the Move” is both a reflection and a manifesto. Denesi paints vivid pictures of Kampala’s dualities: the sunlit streets masking a tougher reality, where survival demands creativity and grit. Lines like “Welcome to the city of the dogs and the criminals / You ain’t making money, you ain’t working, you ain’t real enough” set the tone, balancing raw honesty with undeniable swagger.

The hook, with its repeated refrain of “Who dat on the move, me I’m on the move”, is a declaration of aspiration. It positions Denesi as a trailblazer, reaching for heights beyond the ordinary while staying grounded in his roots. The mention of his collaborators in the hook reinforces the communal ethos of his work, a nod to the people who’ve shaped his journey.

Denesi’s storytelling is sharp and layered. He captures the struggles of navigating Kampala’s streets (“You know Kampala streets, man, the trouble’s never over”) and dreams of transcending them (“When I make a billy, prolly settle down / Maybe buy a villa, buy the whole town”). His versatility shines as he shifts from local struggles to global ambitions, even hinting at cross-border hustles with lines like “I trap on some Lingala shit, they pay me plus the benefits”.

The production complements the lyrical intensity, with Northbound Beats crafting a soundscape that feels both contemporary and rooted. The beat’s steady rhythm mirrors the relentless drive described in the lyrics, while the layered instrumentation adds depth and texture.

Overall, “On the Move” is a powerful introduction to Denesi’s world. It’s a song that celebrates ambition, acknowledges struggle, and underscores the importance of community. With its infectious hook, sharp lyricism, and dynamic visuals, the track sets the stage for what promises to be an impactful debut album. Denesi isn’t just on the move—he’s carving a path to the moon, and he’s taking his people with him.

ARTICLES

Reviving Nostalgia: Akeine and Henry Tigan’s “Out of Control” Remix.

Published

2 months ago

January 24, 2025

thetribe

In this exciting edition of The Tribe UG Press Play, we’re thrilled to present a vibrant collaboration that bridges the gap between nostalgia and innovation. Fast-rising artist Akeine teams up with legendary dancehall star Henry Tigan to breathe new life into Tigan’s 2013 hit song, “Out of Control,” delivering a captivating remix that’s sure to win over fans old and new.

Akeine brings a modern twist to this beloved classic, collaborating with talented producer Andy Muzic to craft a fresh sound that retains the essence of the original. The remix seamlessly blends nostalgia with contemporary vibes, creating a track that resonates with today’s audience while honoring its roots. Henry Tigan’s stellar performance adds depth and familiarity, as he revisits the fan-favorite verse that made the original a standout hit.

This remix isn’t just a song—it’s a celebration of timeless music reimagined for a new generation. The official music video takes the energy to another level, showcasing both artists in their element and bringing the remix to life with vibrant visuals and electrifying performances. Don’t miss this unforgettable collaboration that proves great music transcends time.

The Tribe UG Press Play is more than just a platform; it’s a solution to a long-standing challenge in Uganda’s urban music industry. Despite the abundance of incredible songs, the rap industry has often struggled to release music videos due to logistical and financial constraints. Recognizing this gap, our parent company, Skyline Media & Management Limited, launched The Tribe UG Press Play to empower artists and showcase their work visually.

Through this initiative, we produce high-quality visuals for some of our favorite Ugandan urban songs, helping artists connect with their audiences in new and exciting ways. By supporting the creation of music videos, The Tribe UG Press Play is not only amplifying the voices of talented artists but also enriching the local music scene.

Stay tuned for more groundbreaking collaborations and visual masterpieces as we continue to celebrate the best of Ugandan urban music. Follow The Tribe UG and Skyline Media for updates, and don’t forget to check out the “Out of Control” remix by Akeine and Henry Tigan!