ARTICLES

INTERVIEW: Flex D’Paper Breaks Down His “Not For Sale” Mixtape.

Published

8 years ago

June 29, 2017

By Felix Byaruhanga (@TheNinjaFelix)

Flex D’Paper is a name that stands out in UG Hip-Hop cause of his extra efforts in pushing whatever he attaches his brand to, be it clothing or music. As a way to get ahead in the rap circles Flex D’paper has done extra from directing his own videos to designing concepts for the Rapaholix clothing label on top of executing well calculated moves when it comes to his music. As we come to the close of the first half of 2017, Flex D’Paper is putting out a full body of work titled “Not For Sale”. A mixtape he has been working on and features big names in the industry which in a way reflects the level in which his brand has reached as a rapper and entrepreneur in Ugandan hip-hop. Furthermore as Flex breaks down the inspiration behind the project it shows his growth as an artists who uses his music as a tool to advocate for the issues and injustices that happen in the Ugandan society. I linked up with the New Skool Leader to break down the inspiration behind the “Not for Sale” project, how fashion has influenced his music and also his feature plans as the CEO of Rapaholix.

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What’s the inspiration behind the name of the mixtape and cover?

The cover was a design by my little sis, she put bar codes that represents something to be bought or purchased and then added the tribal art to it.
While for the name has three angles to it, The first being it’s a free mixtape to my fans that have always been waiting on a project from me for now about 4 years. While the second point is that it’s a dedication to the different people suffering directly or indirectly from the human trafficking that we see daily but many chose to ignore. We always see this happening to fellow Ugandans taken to Arab countries where they are promised a lot but things end up at times as modern day slaves.
While the second dedication is to the victims of land grabbing and land wrangles many families in Uganda have been through this and it’s sad that it keeps going on. Killings and things like witchcraft etc are practiced all because of land in most cases the rightful owners never get the justice even because the richer or more connected person takes it from them. If you have noticed a lot of land, houses and properties have sign posts with the words Not For Sale.

How did the choice of the features & producers come about in the mixtape?

The people on this project are people I’ve known for a while now. The whole project was based on good Vibes. From the A-Pass intro thematic he did as he woke up some morning to Kemishan’s drop an artist I’ve worked with before, Navio, Martha Smallz, Aethan and His cousin Tribal all this wasn’t like planned out, it came naturally. Good Vibes only

How has the Rapaholix clothing has influenced your music especially on this particular “Not For Sale” project and vice versa?

This project actually has taught me a lot about myself as well. The songs may not have a direct message to the dedications I send the tape to, but with its sole purpose, that’s what is important, the end goal with any Rapaholix clothing purchased we will give out a free CD as well.

As one of the leaders in UG rap especially among the new crop of rappers what do you think needs to change among the new school rappers so that they fully realize their full potential?

I guess the best way for the rappers to achieve their full potential is to bring something new to the table. Most of these rappers are doing what’s already done or whatever is trending. I call them wave riders which isn’t bad but then they shouldn’t get mad when the other genres of music in Uganda keep gaining more with all sorts of experimenting. Only a few rappers are doing that like we did with my song The Statement, I went way out of the expectations from production to delivery one thing UG Hip Hop doesn’t have now.

What’s next for the Rapaholix CEO? Album?

Kampala Boy Album is next on the way after this mixtape, I have a new team I will be announcing soon as well my Rapaholix Clothing brand is expanding daily. We thank God for all the Wins and the lessons. Katonda is Involved

The mixtape will be released exclusively on The Tribe UG and to keep up with all news about the mixtape follow the hashtag #NotForSale of follow Flex on twitter via @flexdpaper.

ARTICLES

Kohen Jaycee’s ‘Gundeze’: A Soulful Anthem of Love.

Published

2 months ago

January 24, 2025

thetribe

Am I the only one imagining how a mix of Kohen’s “Gundeze” and King Saha’s “Gundeze” would sound in a DJ set? And I’m not saying that just because King Saha’s concert is kicking off as I type this. Maybe it’s just me.

From his critically acclaimed album, RWEBEMBERA: The Raising Echoes, Kohen Jaycee’s “Gundeze” is a vibrant celebration of love wrapped in his signature RnB and Afro-fusion style with a sprinkle of Amapiano’s log drum. The track’s heartfelt lyrics and infectious rhythm make it a soulful anthem for anyone who cherishes the beauty of love. The lyrics are simple yet profound, with Kohen professing unwavering devotion to his partner:“I love you, Gundeze / I feel you, Gundeze / I want you, Gundeze / I need you, Gundeze.”

The music video for Kohen Jaycee’s Gundeze perfectly complements the song’s soulful and romantic essence. Staying true to Kohen’s signature style, the visuals are minimalistic yet captivating, set against the serene backdrop of a lush forest. The video follows Kohen as he alternates between intimate moments with his significant other and heartfelt solo performances amidst nature. This simplicity allows the focus to remain on the song’s message of love and connection, making the video a beautiful extension of the track’s uplifting and heartfelt vibe.

The chorus, repeated like a mantra, draws listeners into a melodic trance, while the verses paint a picture of intimacy, trust, and connection. Kohen’s soothing voice and heartfelt delivery elevate the song into a timeless ode to love. Whether it’s the wish for stars to align or the plea for mutual vulnerability, Kohen’s “Gundeze” resonates with anyone who has experienced the magic of love. The simplicity of the video enhances the song’s essence, focusing entirely on the connection between two souls.

“Gundeze” is more than just a track; it’s a reminder to cherish the ones we hold dear, dance to the rhythm of love, and embrace the beauty of the present moment. Kohen Jaycee has once again proven why he’s a standout artist in Uganda’s music scene, leaving us eagerly anticipating his next move.

ARTICLES

On the Move by Denesi: A Powerful Anthem of Hustle and Ambition

Published

2 months ago

January 24, 2025

thetribe

Denesi’s “On the Move,” the opening track on his debut album Everything Is Real, is an anthem of ambition, resilience, and community, underscored by a gritty hip-hop aesthetic. Produced by Northbound Beats, the track captures the pulse of Kampala’s streets, blending hard-hitting lyrics with a hypnotic beat that mirrors the hustle it portrays.

The accompanying video brings the song’s narrative to life, embracing the classic hip-hop imagery of camaraderie and grind. From the corner store to the stage and finally to the laid-back moments of planning the next move, the visuals reflect Denesi’s journey and the community he’s built. Cameos from collaborators like Lagumtherapper, Akeine, Lucass Blacc, and Manly add depth, showcasing the collective spirit that defines his artistry.

Lyrically, “On the Move” is both a reflection and a manifesto. Denesi paints vivid pictures of Kampala’s dualities: the sunlit streets masking a tougher reality, where survival demands creativity and grit. Lines like “Welcome to the city of the dogs and the criminals / You ain’t making money, you ain’t working, you ain’t real enough” set the tone, balancing raw honesty with undeniable swagger.

The hook, with its repeated refrain of “Who dat on the move, me I’m on the move”, is a declaration of aspiration. It positions Denesi as a trailblazer, reaching for heights beyond the ordinary while staying grounded in his roots. The mention of his collaborators in the hook reinforces the communal ethos of his work, a nod to the people who’ve shaped his journey.

Denesi’s storytelling is sharp and layered. He captures the struggles of navigating Kampala’s streets (“You know Kampala streets, man, the trouble’s never over”) and dreams of transcending them (“When I make a billy, prolly settle down / Maybe buy a villa, buy the whole town”). His versatility shines as he shifts from local struggles to global ambitions, even hinting at cross-border hustles with lines like “I trap on some Lingala shit, they pay me plus the benefits”.

The production complements the lyrical intensity, with Northbound Beats crafting a soundscape that feels both contemporary and rooted. The beat’s steady rhythm mirrors the relentless drive described in the lyrics, while the layered instrumentation adds depth and texture.

Overall, “On the Move” is a powerful introduction to Denesi’s world. It’s a song that celebrates ambition, acknowledges struggle, and underscores the importance of community. With its infectious hook, sharp lyricism, and dynamic visuals, the track sets the stage for what promises to be an impactful debut album. Denesi isn’t just on the move—he’s carving a path to the moon, and he’s taking his people with him.

ARTICLES

Reviving Nostalgia: Akeine and Henry Tigan’s “Out of Control” Remix.

Published

2 months ago

January 24, 2025

thetribe

In this exciting edition of The Tribe UG Press Play, we’re thrilled to present a vibrant collaboration that bridges the gap between nostalgia and innovation. Fast-rising artist Akeine teams up with legendary dancehall star Henry Tigan to breathe new life into Tigan’s 2013 hit song, “Out of Control,” delivering a captivating remix that’s sure to win over fans old and new.

Akeine brings a modern twist to this beloved classic, collaborating with talented producer Andy Muzic to craft a fresh sound that retains the essence of the original. The remix seamlessly blends nostalgia with contemporary vibes, creating a track that resonates with today’s audience while honoring its roots. Henry Tigan’s stellar performance adds depth and familiarity, as he revisits the fan-favorite verse that made the original a standout hit.

This remix isn’t just a song—it’s a celebration of timeless music reimagined for a new generation. The official music video takes the energy to another level, showcasing both artists in their element and bringing the remix to life with vibrant visuals and electrifying performances. Don’t miss this unforgettable collaboration that proves great music transcends time.

The Tribe UG Press Play is more than just a platform; it’s a solution to a long-standing challenge in Uganda’s urban music industry. Despite the abundance of incredible songs, the rap industry has often struggled to release music videos due to logistical and financial constraints. Recognizing this gap, our parent company, Skyline Media & Management Limited, launched The Tribe UG Press Play to empower artists and showcase their work visually.

Through this initiative, we produce high-quality visuals for some of our favorite Ugandan urban songs, helping artists connect with their audiences in new and exciting ways. By supporting the creation of music videos, The Tribe UG Press Play is not only amplifying the voices of talented artists but also enriching the local music scene.

Stay tuned for more groundbreaking collaborations and visual masterpieces as we continue to celebrate the best of Ugandan urban music. Follow The Tribe UG and Skyline Media for updates, and don’t forget to check out the “Out of Control” remix by Akeine and Henry Tigan!